"Eye on the Prize"

The talk Wednesday night in the locker room after Master's was focused on this weekend's race. I think there are at least 10 TriGirls running various distances, most the half marathon. I will be sitting it out. As other races come up this spring, especially White Lake with over 30 TriGirl and Maramarc folks running, it will be hard to be on the sidelines. I won't be the only one sitting out Shamrock--I just learned of TriGirl Cyndi's diagnosis and won't be alone in my misery. Walking Joey home from school today, I stopped to chat with a neighbor--she's a great athlete, runner, mom, and full-time OB-Gyn. She asked why I'm persuing an Ironman. "It's so hard on your body, and you run the risk of serious injury," she said. But then I talked about the inspiration of my friends, watching them all cross that finish line last year, and she knowingly nodded. "It's out there and you want it," she said then warned me to be careful and listen to my body.

Coach Blake has offered me a new perspective on my position (and now Cyndi's too) being an opportunity, rather than an inconvenience. I can make a very deliberate and careful choice--to keep training, risking worse injury, or to take the time to heal properly and come back stronger. His exact words to me were, "Keep your eye on the prize." And Ironman Florida is my prize. The focus I can afford to give now to my physical therapy, will pay dividends this fall. Yes, Kent (my physical therapist), I will try to back down on the spinning and running....and I promise I will quit when I feel pain.

With spring break ending this weekend, and under orders to take training more easily, I am once again going to be spending all my free time in the studio. Our outside critique last week went well, but there is much refining to do on my design, models still to be finished (or just made), and many, many drawings to produce. On Tuesday I was able to go up to the design center in DC to hear Roger Thomas, the design director for all Wynn hotel properties, talk about his inspirations. The man, like many talented designers, takes a sketch book everywhere. He made the point that even if his sketches aren't perfect, they capture and convey more about the time and place he was, than the actual detail of the object he hoped to draw, enough so that the detail of a stone wall he saw flying by in a car in Italy is transformed into a mosaic wall in a restaurant in Vegas. Later that afternoon, in perusing old pen and ink drawings for sale, one that was smaller than 3" caught my eye. It was a masterful little drawing of the piazza San Marco in Venice, complete with people sitting in a cafe in the foreground and a crowd in front of the arches of the Doge's palace in the distance.

Time and patience....and practice. If I wasn't trying to train for an ironman, I'd want to learn how to draw like that.